The Beatles

Calendars

General Geekiness

I sometimes think of years in terms of calendars, of the pictures and themes that each holds. As a child, these calendars would fall into themes of endless similarity. For years, I had American Girl calendars, and I really can’t distinguish most of my elementary school years. The puppies and wolves of middle school gave way to more variety come high school (most memorable being Disney characters and Pirates of the Caribbean).

In 2008, my calendar was Edward Hopper paintings, full of pale light, fanciful images and good times with friends.

2009 was the year of Marvel Superheroes.  When things got stressful, I’d look to my calendar for moments of crystal clear right-and-wrong, primary colors and childlike wonder.

For the upcoming year, my calendar is The Beatles, with simply black and white photography and minimalist design. There are moments of tranquility among madness captured in black and white photos, and I know I will find these moments in my day to day life, no matter how hectic and stressful life becomes.

A happy, safe and prosperous New Year to you all!

Burn baby, burn.

General Geekiness

Why this time?

Well, as you may recall, I’ve never finished reading Pride and Prejudice. Until zombies came into the mix. Then I read it in two days.

Ah, the zed-word. I haven’t enjoyed a zombie romp this much since Shaun of the Dead.

If you aren’t familiar with the idea, a few months ago a guy named Seth Grahame-Smith decided to expand Jane Austen’s classic to include scenes of zombie mayhem. Pride and Prejudice and Zombies, as the book is aptly titled, “transforms a masterpiece of real world literature into something you’d actually want to read” (so claims the back of the book).

The book is good, silly fun. Somewhere around the introduction of ninjas it goes from silly to purely ridiculous. Even I, a lover of the silly and taking a joke one step too far, thought this was over the top. Seriously, Grahame-Smith. Choose ninjas OR zombies. Not both. And if you’re going to have people running around chopping off heads with Katana swords, at least have someone mutter “There can be only one.” That would’ve made me laugh even harder.

I also felt that having the zombie plague be around for over fifty years removes some of the urgency that is the zombie apocalypse. I think that the springing up of the undead would have paralleled even more humorously with the budding, blooming relationships between the various characters.

P&P&Z was still quite funny; my favorite part is the reader discussion questions at the end of the book.

While I enjoyed it, I’m a bit dismayed at the other Supernatural Works of Jane Austen. There’s Sense and Sensibility and Sea Monsters, as well as Mr Darcy, Vampyre. I’m sure more will follow. Note that I have not read these, only that I’ve heard of them (and in the case of Mr Darcy, Vampyre picked it up and couldn’t find a blurb about it, so I promptly set it down). While I enjoyed P&P&Z, it should stand alone. When others try to capture the original magic, most often it just falls flat.

Enjoy one last bit of zombie/classic mash-up awesomeness.

On the Who

General Geekiness

My love for The Who began in my senior year of high school. It was a long, slow process, this becoming attuned to a “new” band, but it seemed like the world was kicking me in the seat of my pants to listen to them.

My first encounter was the summer before senior year. I was at a Shakespearean acting camp, and as luck would have it, I wore my Beatles shirt the same day as my friend Nick wore his Who shirt. “Who are they?” I asked. Nick listed their most famous songs–“Baba O’Riley,” “Pinball Wizard,” etc–and I stared at him like an idiot.

Flash forward three months. I sat in art class, and my teacher played The Who to get himself psyched for their concert. I liked it enough, but didn’t think anything of it.

A couple months later I was looking online at Beatles and Queen fan art, when I noticed a few of the artists also drew The Who. Intrigued, I went to the library and listened to a few Who albums–Greatest Hits, Tommy and Quadrophenia. With the opening notes of Tommy‘s “Overture” I was hooked.

What’s On the Turntable? Vol. I

What's On the Turntable?

So, what have I been listening to as of late?

This time, it’s Arthur (Or the Decline and Fall of the British Empire) by The Kinks. It’s a concept album, following up their brilliant The Kinks are the Village Green Preservation Society.

This album is one that evokes an emotional response from me. The first time I heard it, I felt really angry and uncomfortable. I don’t know why. For a few months, I only listened to it that one time. Now I’ve given it a second listen, and can say that I really enjoy it. It takes a powerful piece of work to inspire emotion from me. This being ticked off is of a different sort than say, being force fed tripe Top 40 (I’m looking at you, Taylor Swift).

“Some Mother’s Son” may be my favorite track on the album. There’s something quite mournful about it, given the topic of soldiers dying to protect their homeland. The juxtaposition of soldiers fighting and children at play is a powerful, haunting one. It really makes you think.

Ray Davies’ writing is something special. While other rock bands of the era were focusing on strange moves from rock (“Revolution 9” by The Beatles), or elevating rock to a more artistic level (Tommy by The Who), Davies stays focused on what he knows: life in England. Though not joyfully nostalgic like Village Green Preservation Society, Arthur takes a good look on opportunity poor English life post-World War II.

First time Kinks concept album listeners should start with Village Green Preservation Society. It’s easier to get into.