Comic

Hallo Spaceboy process update

Hallo Spaceboy, Projects

I wrote back in May about revisiting my ‘Starman’ story.

That project is now in full swing. I’m creating a short memoir called ‘Hallo Spaceboy,’ which consists of three stories about me and David Bowie.

I’m working on it under the mentorship of Andrew White. His guidance will help bring this piece to life.

I’ve scripted these three stories, and I’m now in the design phase. Which means I’m now delightfully listening to loads of Bowie and drawing and seeing what sort of visuals evolve over time.

bowiesittinginfieldofstars

This one was drawn listening to lots and lots of the Five Years collection. I really like Tillie Walden’s ink drawings with their surrealist backgrounds, and pulled that in here.

bowieintriplicate

And a glorious accidental composition, but I like how the three Bowies coexist and morph into each other.

I’m debuting Hallo Spaceboy at SPX! This project will be completed by August 18.

Outlining. More like guidelining.

The Twirl and Swirl of Letters

I am a proclaimed pantser. No plot, no problem is my motto. But I think I may have just been converted to this newfangled thing called an ‘outline.’

Lately I’ve been trying my hand at outlining a story. I sat down, merrily plugging in the acts and plot points, figuring out what was to happen when. After a couple of hours of work, I was satisfied. I hit print, so I’d have a copy of the outline for my writing by hand.

You should see my outline. Its covered in scribbles, Xs and notes. Reworkings of events. But its been incredibly helpful, keeping me on target. I’m the sort of person who doesn’t write out one crappy draft (NaNoWriMo excepted). If the beginning doesn’t work, I’ll rewrite it until it does. I think I wrote the opening scene six or seven times, and realized that it would work better if I cut it the first four pages entirely, jumping straight into the action. Once I figured this out, I could move forward. The same has worked for later scenes, reworking until it fits.

I worried that outlining would take the spontaneity out of writing. It hasn’t. If anything, I’ve found that its encouraged the unexpected, in terms of conversation, and character development. Because I know where I am going, I can take my time getting there.

I am going to need a machete to clear out the unessential stuff, but I won’t know what’s essential until I’m done. For now, I’m enjoying the ride, map in hand.

Not actually the plot of the story.