A Certain Time

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Well, I’ve decided on a specific time period for my WIP (hurray). The height of the Battle of Britain, 1940.

This provides its own unique challenges.  Most of my other stories have a hazy, indefinite time period. One is set some time between 1793 and 1805, most in the latter half of the 20th century.

This WIP, having its set time frame, means that I just can’t make up too much stuff. Research, lovely research; no sarcasm here, I love it. Weather, and of course the dates/times of actual battles. I’ll have to make sure it feels like its the summer/fall of 1940, probably by referencing newspaper articles, popular songs, and, of course, speeches by Winston Churchill.

I’m thinking about the plotting and having my characters experience personal turmoil while the war is raging on around them. There’s some potential there, especially once the Blitz gets started.

Writing Longhand: A Love Hate Relationship

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I’ve been thinking about how I write. Not my style, but the physical action of writing.

For myself, I make sure that I write at least one page (front and back) in longhand daily. There’s something truly breathtaking to see your words on a sheet of paper in crisp, blue ink. I need to do it. My hands tend to hurt after typing for long periods of time (back in March, I could barely hold a pen due to incessant blogging); longhand is the only thing that makes my hand feel better.

Will I ever write an entire first draft longhand? I’m not sure. My favorite writer, Patrick O’Brian, did. Scores of writers pre-typewriters did (probably all except poor blind Milton who narrated everything).

This isn’t to say that my handwriting is by any means decent. It isn’t. Imagine a chicken’s claw dipped in ink; this chicken has had a few caligraphy lessons and attempts to mimick the hobbit alphabet mixed with standard cursive. There you go.

Cursive is something I struggled with. People say that those children who draw all the time will end up with beautiful penmanship because they know how to hold a pencil; not true. I’m a pretty good artist, by no means Raphael, but good enough to minor in Graphic Design (and yes, I draw everything by hand). Despite my artistic leanings, my handwriting sinks to new lows every year; it is better than my days as a third grader when my teacher kept me in from recess to work on my L’s and Q’s.

There is a beauty in the physically written word that the word processor lacks. While words can appear on the screen quicker, changes can be made, and paper isn’t “wasted,” something is missing. I know people who are only a few years younger than I who do not know how to write in cursive.

Can you imagine only receiving notes from loved ones that are typed and sent across a computer screen? A love email does not have the same weight as a handwritten note, even if the words are the same. Handwriting is personal, it displays time and care. Typing? It’s quick and gets the point across.

That is to say, I do not hate typing. I’m quite proficient in it; I type quicker than I write in longhand. But when writing fiction, I feel as though I don’t put as much effort into it as when I write longhand. See my NaNoWriMo draft from last year (so much fun producing such drivel).

Bungee jumping for the sake of Art

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Conquering? Confronting? I’m going to let myself fall, bounce, return to thirty+ feet off the ground?

I hate heights; I suppose I always have, but they really started to bother me while on the tallest tower at Warwick Castle (I was newly ten). From that day forward, I have done my very best to avoid heights of any sort.

For some reason, last Saturday I decided that the giant bungee jump and trampoline my neighbors rented for a party looked like fun. Why on earth did I think that? I abandoned my face painting post to stand in line for nearly an hour, just so I could bounce thirty feet up and come hurtling back to earth, just to repeat it.

Finally, it was my turn. I strapped into the harness, and from there was attached to bungee cords. I began to rise off of the trampoline; I jumped. I went higher. I jumped again.

My body longed to be airborn. My heartbeat quickened, but it wasn’t out of fear. With each bounce I gained altitude. I felt alive.

Fear creeped back into me as my friends called, “Do a backflip!”

My hot dog and cotton candy lunch protested. I knew that if I saw the ground coming at the wrong angle I’d be ill, and it would erase all of the progress I had made.

When my bouncing time came to an end, I remained elated. Nothing could sink the soaring thrill I still felt.

This experience will come in handy in my WIP.

Environmentally friendly.

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My characters, as well as being formed by evolution and years of toil, are products of their environments. Their environments strengthen and weaken various parts of their personalities, and let other portions break free.

Again, we’re going to use Geoff as an example.

Geoffrey grew most as a character once I started messing around with his location. After being brought from medieval to Victorian England, Geoffrey became more…likeable. His personality and quirks began to develop around this time period; he acquired a profession (inn keeper) and other characters began to weave their way into his life. Thanks to the other characters and the environment that they provided, Geoff (and they) grew in different ways.

In respect to the current WIP, I can already see how an early location change will affect my MC’s personality. Originally, he was going to end up in Holland following an accident. Now, after a little bit more research, Jim’s staying in England (and above the English channel). His relationships with his fellow pilots (not to mention the others around him) will push him into a different direction than his adventures in Holland. Perhaps we’ll meet his family, which in itself will bring out a side he’d rather not expose, I’m sure.

Repeat after me. EVOLUTION.

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After reading several good posts on characters and how they appear, I’ve been thinking about how my characters come to be. Never do they spring from my mind, fully formed and grown up as Athena from Zeus’s brow. I kind of envy those whose characters do this.

I’ve realized there are two ways that I come up with characters, but for brevity’s sake I’ll split into two posts.

My characters tend to be more fluid. They evolve from squiggles on paper, mere germs of an idea. I work through the slog, trying to find discernable traits and flaws. Sometimes it takes me years to find a character.

Let’s meet Geoffrey, though not a character in my current piece, he best exemplifies my evolving character flow. He’s also my longest-running character.

Geoff began life seven or eight years ago back when I RPed. He was a banished elven princeling named Lairedion (god awful, ain’t it?) who was a skilled musician, had a pet dragon, and was physically attractive. He also was one of the only male characters in the RP (I just realized this is another reason why I write primarily male characters…the RP world was overpopulated with ass-kicking females). He also was a bit of a wimp, and that was about it.

Geoff soon abandoned his cumbersome name, again got saddled with a new name (Orlando, for the Shakespearean character), and received some terrible injuries. At the time, I would build his character from what had happened in the previous day’s RP. He met new people, got into fights, etc.

Finally, he graduated from the computer screen and became the mentor character in my first serious attempt at a novel. Geoff (now Balor) found religion and saw it as a mission from God to return to the sidhe that had banished him in order to help this kid out. He evolved into a slightly nutty, know-it-all monktype dude, and I am sure as hell glad he isn’t that anymore.

So let’s recount. Lairedion-Orlando-Balor, now FINALLY Geoffrey, is a banished, beautiful elfling. Well, he isn’t an elf anymore  (and he is rather normal looking). He’s a, well, human from a different dimension. He also doesn’t have a pet dragon (the only fantasy in this world is the fact that Geoff ages veeery slowly), and his musical skills have failed. He dropped that obnoxious questing kid and set out into life as an innkeeper/amateur historian. Though still very religious, he’s more likely to engage someone in a conversation on a secular subject rather than preach at them. He has opinions, likes, dislikes, desires, flaws, a history…

Geoff finally feels like a real person to me.

10 points to Gryffindor if you can guess where his current name came from!

Gender bender! Or not.

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Looking through my notebooks and old stories, I’ve come to a realization.

I’m female both by sex and gender, and quite like being a girl. I just don’t write many female characters.

It’s not even that the percentages are close but slightly off. I’d wager a good 80% of my characters are male.

Why?

1). Setting/topic.

I enjoy writing historical fiction; the Royal Navy of Nelson’s era was my first main interest. And even though there were women aboard (wives, passengers and the like), the Brave Woman (or Girl) Who Dresses Up as a Man and Saves the Day bore me. The social hierarchies and ways of life are what really interest me, not throwing a female main character into the mix because it is the Modern Females Rule way.

2). What I Read.

The books I read are male dominated, at least in the main character category. O’Brian, Bruce Alexander, Tolkien…and, of course, the vast number of biographies and other assorted histories I enjoy. Not to mention male authors.

3). My Strong Dislike of Writing Love Stories.

By throwing a female MC into the loop, I’m afraid of turning it into a love story.

Of course, I don’t even know how well I write male characters. Oh well.